Maddy has been best friends with Rob and Ben ever since her family moved to Peaswood when she was nine years old. Together they were an inseparable trio, calling themselves the tripod. That was until puberty hit.
You’re The One That I want starts on Maddy’s wedding day. Waiting for her at the altar is Rob, but it could have just as easily been best man Ben.
This is the dilemma: Rob and Ben both love her and Maddy loves them both back. Is Maddy marrying the right man? As butterflies flutter around in her stomach, Fletcher goes back to the start of their story and tells it tenderly.
Fletcher writes in first person perspectives of Maddy, Rob & Ben and switches perspectives brilliantly. The use of first person perspectives is the best way to tell this sort of story. The first few chapters felt fictional because characters were describing meeting one another (at nine years old) and going into far more detail than most people would remember from when they were that age.
Maddy, Rob & Ben are good, likeable characters, that are well-rounded and have flaws. Through use of first person perspective and good characters Fletcher achieves an emotionally resonant connection between the characters and the reader.
The level of detail in description is perfect and Fletcher cleverly uses descriptive references that will take readers in their late twenties to early thirties back to their own childhood’s.
The plot is comfortably predictable and enjoyable. It centres around Ben’s secret love for Maddy. The relationship dilemma and love triangle will split readers, with readers finding themselves taking a side. Some readers will be Team Rob and others will be Team Ben. Personally, I was a Team Ben.
Overall You’re The One That I want is a wonderful book that will have you hooked from the first page to the last. Fletcher should be highly commended on this warm, engaging and delightful read.
This is the second part in a blog post series, where I’ll be sharing some of what I’ve learned about creative writing over the last few years. The first blog post in the series was Creative Writing: Beginning.
1. Remember Your Aim
You should be writing something that entertains and is enjoyable to you and others. That’s all your creative work needs to do. It doesn’t need to be a work of literacy genius.
2. Your Writers Voice
Your writers voice is part of the art of creative writing. It will be influenced by Perspective, which I have wrote about here. It may change dramatically in different works.
Some writers try to emulate the voice of writers that they admire. This can be an interesting exercise and way to explore how those writers show their distinctive voice. To get the most out of this exercise, rather than passively read, you need to analyse how they crafted their voice.
Author Elizabeth Gilbert whom has written of many books, developed her writers voice by writing each of her books to friend or family member. Her writers voice in Big Magic, a book about living creatively, is warm, caring, passionate, engaging and captivating throughout.
Your unique writers voice will generally develop over time, with regular writing practice. The key point here is: practice.
3. Keep Going
Don’t let fear hold you back from starting, continuing or finishing a piece of creative writing. Even if, as your writing, you think it’s the worst thing ever written, keep going.
As author Anne Rice says in this video, ‘Just kick out the pages:’
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So keep writing, everyday if possible. Don’t be hard on yourself if you can’t manage everyday. Just write when you can. Whatever time you are managing to write, it’s better than not writing at all. Remember that if you keep going, eventually you’re going to finish. You’ll be bringing a new story into the world, which is wonderful.
4. Dialogue
Some rules generally apply:
Less is more.
Most people don’t talk to themselves. So don’t have characters do it.
It should be a conversation, not a monologue or full of large longwinded statements.
Don’t have a character explain to another character what happened in the last scene you wrote. It feels repetitive and tedious to the reader. One character can summarise to another character if absolutely necessary. But if the other character needs to know the details, then maybe he/she should have been in the last scene as a witness to events.
Only on rare occasions should you cut the end of dialogue, like this: –. If you do it all the time, the dialogue isn’t moving the story along and the reader will get frustrated that no character ever finishes a sentence. Plus regularly cutting the end of sentences will lose its value and significance.
Dialogue tags such as he said and she replied are useful to identify who is talking and how they are saying what they are saying. But the overall tone of the conversation should be clear from the words in the dialogue.
To improve your dialogue listen to the conversations of strangers in every public place that you visit. The dialogue you write should sound like that. It should have hooks. During the editing process, which I will write about in the next blog post in the series, it is useful to read it aloud to yourself or someone else.
5. Tense
Generally past or present tense is used. Future tense is rarely used. Once you’ve decided which tense to use, be consistent and use it throughout your creative work. Here’s an article that explains tense simply: Creative Writing – Tense.
6. Description
General fiction set in the real world needs less description than creative works set in other worlds. If your creative work is set in the past, future or another world consider: societal structures, culture, religion/belief systems, etc. Only tell the reader what they need to know.
Avoid writing cliché opportunities to describe a character or settings. One such example of a cliché opportunity is the main character standing in front of a mirror observing and describing themselves to the reader. It’s been done so many times, that it has become a cliché.
A good tip, when it comes to description is to make references. So for example, rather than writing: Jean drove off in her red car. Write: Jean drove off in her red Nissan Micra. Be aware that over time these descriptive references might date your creative work. Some descriptive references are so embedded into society that they could never date your creative work.
In my short story A Few Amazing Moments I deliberately used descriptive references to set the time in recent history that the various scenes were set in.
Perspective alters how you describe things. You can read more about perspective here. Pacing alters the amount of description a scene has. You can read more about pacing here. But the rule is: in slower scenes more description is allowed. In action or fast-paced scenes there should be less description. To much description or to little can significantly impact on your overall pacing.
7. Back-up Your Creative Work – Regularly
We’ve all heard nightmare stories about writers whom have lots their entire work because of a computer crash or computer dying on them. They either didn’t hit the save button or didn’t back-up their computer or both. I’ve lost large chunks of scenes in the past because I didn’t hit the save button often enought. I’ve also lost entire creative projects because a computer decided to die on me. So here’s the advice:
Hit the save button at the end of every paragraph.
8. Done Is Better Than Good
This advice comes from Author Elizabeth Gilbert. In her book Big Magic, which have reviewed here, she writes about the danger of perfectionism.
If you aim for your creative work to be perfect you will drive yourself insane. No matter how much time, energy, effort and work you put into a creative work it will never be perfect. So rather than striving for perfection, aim for completing your creative work to the best of your current ability.
So many creative people, leave work in their desk draws, unfinished, because they don’t feel it’s good enough. Because they are aiming for perfection. Just take a second to imagine the number of superb stories that never see the light of day, let alone get read, because the writer is aiming for perfection.
9. First Draft
Congratulations on completion of the first draft of your creative work. But for a good writer, it’s not even half finished yet. The manuscript now needs to be edited, which may include some re-writing.
In my next blog post of the series, I’ll be writing about editing (including an editing checklist), feedback and publishing options.
Recently, my good friend Sye and I went to see a matinee performance of Barry Humphries’ Eat, Pray and Laugh show at the Opera House in Manchester.
The show kicked off with Les Patterson, Humphries’ outrageous politician character and the belly chuckles were immediate. In the Les Get Cooking sketch, Les reveals his four assistants, come dancers and backup vocals. Two gorgeous men (the other two were women) came onto the stage in tight yellow t-shirts and equally tight denim shorts and I have to admit they distracted me at times. It was a great sketch with Les and Gerard (his brother) creating continuous laughter among the audience.
Below are some photos before the show started:
Me outside the Opera House, Manchester.
The red curtain.
Pre-show drinks.
Opening set.
The next sketch introduced the character Sandy Stone. This was probably my favourite sketch. Sandy is an old man that reflects on his life in a touching and sentimental way; yet comedy and good humour were used to pitch the sketch perfectly to the auidence. This sketch was theatre at its best and brought us to the interval.
Dame Edna was on top form as she performed for the second half of the show. Laughter echoed through the audience as she arrived on the back of a jewelled elephant, before falling off onto the stage. Dame Edna was her usual warm, funny and engaging self which was a pleasure to watch. She left the audience feeling entertained and uplifted.
Throughout the show there was lots of audience participation and improvisation. Humphries’ demonstrated his extensive theatre expertise; no doubt gained through decades of experience.
The show came to an end far too quickly, with Humphries coming out as himself at the end to thunderous applause. Here are some photos from the end of the show:
Audience with Gladiolus.
Audience with Gladiolus 2.
Before the final bow.
A wave goodbye.
Closing video montage.
Normally, I’d recommend that you buy tickets to see this superb show. However the tour is coming to an end in the UK. But if you can manage to get hold of tickets, grab them and go. You won’t regret it.
Blog soon,
Antony
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Saturday 8 March 2014
About
Antony Simpson - Author, Blogger, Nurse & Witch.
Author of six books:
Z-VIRUS Powers
The Z-Virus mutates people’s DNA. The majority of infected people become zombies, but a minority seem immune but the virus causes them to develop powers.
At first these powers like invisibility, telepathy and telekinesis aided survival. But as the Z-Virus continues to mutate the powers become more and more destructive.
Forced with no other choice, one group goes in search of a cure. But will they survive the roaming zombie hordes long enough to make an epic journey across the country to find the cure?
Join Alexis, Vis, Chan, Luke, Natalie, Grace, Chloe, Kyle, David and Goliath on this journey in Z-Virus Powers, the first instalment of this three part story.
Are you a Doctor, Nurse, Healthcare Assistant or Other Healthcare Professional? Or a Student?
Ways The Human Body Can Go Wrong covers every system of the body, what can go wrong when the body malfunctions or fails, symptoms (including why these happen) and cures/treatments available.
It includes knowledge around essential skills for Clinical Excellence such as Assessment, All Age Observational Norms, Models of Care, Communication/Handover Tips, the role of Specialities, Medication Tips, Dealing with Errors, Documentation Advice and a list of Useful Resources.
It is written in plain English, but highlights important medical terminology. It has been written at a level where someone from a non-medical background can pick it up and learn, but that it is still valuable to those with significant Clinical Experience.
My dear friend Roy decided to follow in his family’s footsteps and enlist in the Royal Navy.
I wanted to maintain our friendship, to continue to support Roy, to make him laugh and to entertain him. So I came up with the idea of sending him a weekly email on random topics.
These emails were on a variety of topics, always being entertaining, sometimes being interesting, sometimes funny and occasionally being serious.
Topics included: Jokes, Puzzles, Inspirational Quotes, Future Technology to Be Excited About, How to Fight A Shark, How to Woo A Turtle, Some of the Most Amazing Jobs in the World, Facts About Castles, Do Aliens Exist?, The Kindest Humans, A List of Cakes, 13 Weird Body Facts, 20 Super Space Facts, Ancient Egyptian Curses, 10 Weird Olympic Games, The Great Emu War of 1932, Quiz: Flags of the World, Legendary Characters from the UK and others.
My Royal Navy Friend is a copy of these emails. In total, there are 52 emails. Dispersed throughout the book are also Royal Navy facts and stories.
This workbook has been designed for anyone that is struggling with alcohol or has struggled with alcohol in the past.
It is written in a Motivational Interviewing style, one of the key therapies used to support people with alcohol issues. It has been designed using a trauma-informed approach and is strength–based.
What you will find in this book is more than just worksheets about alcohol. You’ll find all the tools someone needs to get into recovery from alcohol and stay there. It’s a therapy-based book, not an alcohol-based book.
SpellCast is a comprehensive compendium of spells, oils, charms and talismans. It is purely a book about magic, folk magic for the 21st century. The spells are ones that are tried and tested, with some that will stand the test of time.
In SpellCast you will read about the power of Instant Magic, of Banishment & Bindings, Blessings, Cleansing, Communication, Death, Employment, Finance & Money, Fertility, Friendship, Happiness & Joy, Health, Love & Relationships, Luck Magic, Protection, Transformative Magic and WishCraft.
This book will change your life. Your life will be abundant in all meanings of the word.
This book contains everything that you need to know about mental health and mental illness. Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
Mental Health Wisdom contains everything that you need to know about mental health and mental illness.
Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
If you find my blog educational or entertaining, please consider making a purchase or donation on Ko-Fi.
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