I’ve been pagan for a long time, but it’s always good to go back over the basics. This book covers: working with power sources, magical boosters, tools (including Wand, Cup, Athame, Pentacle & other tools), casting a circle and pagan festivals.
Morrison has a warm, engaging and humorous writing style. Reading The Craft is like having an intimate and meaningful conversation with Morrison herself. She writes in a way that informs, ultimately inspires and without a single word wasted.
The Craft is bursting with little gems of knowledge and wisdom such as:
1. “When all elements are used in equal combination, they form static electricity.” (p. 20)
2. “successful magic relies heavily upon emotion rather than logic.” (p. 33)
3. “Magic usually works in twenty-one days, or not at all.” (p. 29)
4. “Part of basic witchery is learning to work with what you have and substitute if need be.” (p. 41)
5. “Not only must we engage our brains when performing magic, we must use them effectively. We have to be able to think, concentrate and focus. We must reply on the creative flow.” (p. 97-98)
6. “When we take our place in the center of the Circle and take our place as Akasha, we provide a perfectly balanced arena from which magic flows…” (p. 112)
I learned some new things and gained an even deeper understanding of somethings by reading The Craft. No matter who you are or what experiences in The Craft you have, undertake all activities and exercises in the book. I undertook all activities and exercises and they all benefited me. Each of the activities are designed to encourage personal growth and learning.
The only thing The Craft missed out is any reference or explanation of what a Book of Shadows is.
The Craft – A Witch’s Book Of Shadows by Dorothy Morrison is a must have for any Witch. It is an excellent reference book for moon phases, sun phases, days of the week, times of day, pagan festivals, plants, herbs, trees, magical tools, dream symbols, stones, deities and the Book of Law.
Maddy has been best friends with Rob and Ben ever since her family moved to Peaswood when she was nine years old. Together they were an inseparable trio, calling themselves the tripod. That was until puberty hit.
You’re The One That I want starts on Maddy’s wedding day. Waiting for her at the altar is Rob, but it could have just as easily been best man Ben.
This is the dilemma: Rob and Ben both love her and Maddy loves them both back. Is Maddy marrying the right man? As butterflies flutter around in her stomach, Fletcher goes back to the start of their story and tells it tenderly.
Fletcher writes in first person perspectives of Maddy, Rob & Ben and switches perspectives brilliantly. The use of first person perspectives is the best way to tell this sort of story. The first few chapters felt fictional because characters were describing meeting one another (at nine years old) and going into far more detail than most people would remember from when they were that age.
Maddy, Rob & Ben are good, likeable characters, that are well-rounded and have flaws. Through use of first person perspective and good characters Fletcher achieves an emotionally resonant connection between the characters and the reader.
The level of detail in description is perfect and Fletcher cleverly uses descriptive references that will take readers in their late twenties to early thirties back to their own childhood’s.
The plot is comfortably predictable and enjoyable. It centres around Ben’s secret love for Maddy. The relationship dilemma and love triangle will split readers, with readers finding themselves taking a side. Some readers will be Team Rob and others will be Team Ben. Personally, I was a Team Ben.
Overall You’re The One That I want is a wonderful book that will have you hooked from the first page to the last. Fletcher should be highly commended on this warm, engaging and delightful read.
I first discovered the amazing Writer Elizabeth Gilbert when she did a TED talk on creativity (see this TED talk at the end of this post).
Gilbert became a huge success back in 2006, when her memoir Eat, Pray, Love became an international bestseller. It was later made into a film. Prior to this Gilbert had always felt that it was her responsibility to take care of her creativity, so wrote while holding down other jobs. This big success meant she could afford to write full-time. I intend to read and review Eat, Pray, Love at some point in the future.
Gilbert was inspired by creativity, the creative process and the concept of creative living. She began to explore how other cultures throughout history had viewed creativity and the artists that create. This lead her to study the ancient Romans and Greeks. Which in turn led to her quirky and unconventional views about creative living, which she explores in Big Magic – Creative Living Beyond Fear.
Big Magic is split into six parts: Courage, Enchantment, Permission, Persistence, Trust & Divinity. Each section deserves to be written about individually, which is what I have done below:
Courage
Gilbert starts by defining what creative living means to her. She describes it as having the courage to follow your aspirations, longings and talents. Gilbert writes about desires, that you are driven to do from somewhere deep within. Things or activities that have great meaning to you. Gilbert’s examples include: writing, dancing, painting and basically anything with any sort of activity that has an element of creativity within it.
Gilbert writes about fear. She recognises that fear can and does stop some people from living creatively. But as she explains, fear is boring – as fear’s inner voice repeats the same things. Whereas living creatively is never boring. Gilbert advises the reader that fear is not to be conquered, but acknowledged and thanked for its concern. Then the reader should do the thing that scares them anyway.
Gilbert’s key message in this section is that the reader should follow their curiosity without being inhibited by their fear.
Enchantment
Gilbert believes that ideas are disembodied energy that wants to manifest. But in order to do that they need to work with willing, creative humans. Humans that will commit their time and energy to bringing the idea into reality.
A good lesson learned from Gilbert in this section is that you have to make space for the idea. Both physically and figuratively. Which is why in my workspace, my desk has been cleared, ideas have been listed on the wall (in the order that they will be completed) and that time is regularly set aside to work on the idea at the front of the queue.
Gilbert writes that if the reader commits to an idea, that they should try to keep their end of the bargain. Otherwise the neglected idea will eventually get fed up of excuses, waiting and will continue on its travels looking for another human collaborative partner.
Gilbert gives an example from her own life, writing about an idea for a book that got away from her and found its way to Ann Pattchett (another author who has an especially special place in my heart for writing The Magician’s Assistant, but I digress). Gilbert tells the story of a conversation she had with Pattchett:
I tried to summarize my ex-novel as concisely as possible. I said, “It was about this middle-aged spinster from Minnesota who’s been quietly in love with her married boss for many years. He gets involved in a harebrained business scheme down in the Amazon jungle. A bunch of money and a person go missing, and my character gets sent down there to solve things, at which point her quiet life is turned into chaos. Also, it’s a love story.”
Ann stared at me from across the table for a long minute.
Before I continue, I must give you to understand that – decidedly unlike myself – Ann Patchett is a true lady. She has exquisite manners. There is nothing vulgar or coarse about her, which made it even more shocking when she finally spoke:
“You have got to be fucking kidding me.”
“Why? I asked. “what’s your novel about?”
She replied, “It’s about a spinster from Minnesota who’s been quietly in love with her married boss for many years. He gets involved in a harebrained business scheme down in the Amazon jungle. A bunch of money and a person go missing, and my character is sent down there to solve things. At which point her quiet life is completely turned into chaos. Also, it’s a love story.”
Permission
Gilbert explains that she never felt the need to be given permission to begin writing; but that some people do feel the need for permission to create. So she advises the reader to give themselves permission to start living creatively. She advises the reader to label themselves, i.e. I am a Writer. Gilbert advises the reader to be authentic and live creatively, first and foremost for themselves.
Gilbert advises the reader to avoid getting into debt. According to Gilbert debt leads to trappings that will greatly influence the ability to live creatively. Being debt free is likely something that most readers will need to work on.
Persistence
Gilbert encourages readers to keep going and don’t be disheartened if the first thing created gets no recognition. Take your time. Learn your craft. She reminds readers that people go to great lengths to create, often maintaining a day job, having busy lives, but always making the time for creativity.
Gilbert motivates her readers to protect the space and time to create from intrusions, distractions and most of all procrastination. Procrastination can be fear’s way of avoiding starting, continuing or finishing a creative project. So watch out – because fear can be sneaky in its tactics.
Gilbert advises of the perfectionism pitfall for creatives. She writes that done is better than good. Yes, by all means work hard to make sure the work is good, but good enough will do. Aiming for perfection is where most people set themselves up to fail, because perfection is an unrealistic goal that either drives a person insane or causes them to give up on an idea.
Trust
Gilbert writes that a creative should go where the idea takes them, even if it’s emotionally uncomfortable. Gilbert states that you should trust in the idea and continue with Stubborn Gladness.
For Gilbert, living creatively is all about following where curiosity takes her. She encourages the reader to follow their own curiosity.
Divinity
Gilbert concludes by writing that creativity is scared and that the reader should start creative living immediately.
Throughout Big Magic Gilbert’s writers voice is warm and engaging. Gilbert tells many wonderful, meaningful and great little stories as examples of her ideas on creativity in action. She tells these stories exceptionally well.
Stories are not the most scientific form of evidence. But does there need to be empirical evidence for creativity and the creative process? After all, even those at the heart of creative processes struggle understand or explain how their creative process works.
What matters in Big Magic, is that Gilbert writes her truth. Every word is written for herself – so that she can further her study of creativity.
The audience for this book is anyone that wants to live a creative and fulfilled life. Gilbert is undoubtably clever, wise and inspiring in Big Magic. The reader will find that some, most or all of Gilbert’s work will resonate with themselves.
So go and buy Big Magic to lap up some creative living inspiration. Big Magic is available to buy on Amazon.
Review soon,
Antony
TED Talk – Your Elusive Creative Genius by Elizabeth Gilbert
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Elizabeth Gilbert muses on the impossible things we expect from artists and geniuses — and shares the radical idea that, instead of the rare person “being” a genius, all of us “have” a genius. It’s a funny, personal and surprisingly moving talk.
(From: TED, Last Accessed: Thursday 3rd December 2015.)
After reading the unique and brilliant novel The Humans by Matt Haig, I decided to Google him to learn more about this extradorinaiy Author.
I discovered that he had suffered with poor mental health in the past and was releasing Reasons To Stay Alive on the topic of mental health. So I immediately ordered Reasons To Stay Alive to see what he had to say on the subject.
In Reasons To Stay Alive, Haig shares his own experience of anxiety and depression, starting with a note to the reader explaining that these are his experiences and that other people might experience anxiety and depression in differing ways.
His book is split into five sections. His first is Falling where he writes about symptoms, suicide (including some of the reasons why men are more at risk of suicide) and the facts about depression and anxiety.
Throughout Reasons To Stay Alive there are little gems of good advice. In Falling for example, Haig writes about The Bank of Bad Days (see below). I have found having a Bank of Bad Days extremely useful.
Bank of Bad Days
WHEN YOU ARE very depressed or anxious – unable to leave the house, or the sofa, or to think of anything but the depression – it can be unbearably hard. Bad days come in degrees. They are not all equally bad. And the really bad ones, though horrible to live through, are useful for later. You store them up. A bank of bad days. The day you had to run out of the supermarket. The day you were so depressed your tongue wouldn’t move. The day you made your parents cry. The day you nearly threw yourself off a cliff. So you are having another bad day you can say, Well, this feels bad, but there have been worse. And even when you can think of no worse day – when you are living in the very worst there has ever been – you at least know the bank exists and that you have made a deposit.
The second section is Landing where he writes a lot about some of his key experiences, as well as the warning signs of depression and anxiety.
The third section is Rising where Haig covers panic attacks, the importance of love, how to be there for someone with depression or anxiety and famous people that have suffered from depression and anxiety. This entire section aims to tell someone experiencing poor mental health that they are not alone.
Living is the fourth section of the book and focuses on recovery from depression and anxiety. This section covers the importance of slowing down, lists reasons to live, lists things that make Haig’s mental health worse and sometimes better.
Being is the last section of the book and gives forty pieces of advice that Haig feels are helpful.
The presentation of the book is good. It’s a small white hardback book, with small chapters (some only a page long), which because of his writing style as easy-to-read and engaging.
Reasons To Stay Alive is one of the better books written about poor mental health on the market. It is a quick and easy-to-read book that is well worth a read.
Are you a Doctor, Nurse, Healthcare Assistant or Other Healthcare Professional? Or a Student?
Ways The Human Body Can Go Wrong covers every system of the body, what can go wrong when the body malfunctions or fails, symptoms (including why these happen) and cures/treatments available.
It includes knowledge around essential skills for Clinical Excellence such as Assessment, All Age Observational Norms, Models of Care, Communication/Handover Tips, the role of Specialities, Medication Tips, Dealing with Errors, Documentation Advice and a list of Useful Resources.
It is written in plain English, but highlights important medical terminology. It has been written at a level where someone from a non-medical background can pick it up and learn, but that it is still valuable to those with significant Clinical Experience.
My dear friend Roy decided to follow in his family’s footsteps and enlist in the Royal Navy.
I wanted to maintain our friendship, to continue to support Roy, to make him laugh and to entertain him. So I came up with the idea of sending him a weekly email on random topics.
These emails were on a variety of topics, always being entertaining, sometimes being interesting, sometimes funny and occasionally being serious.
Topics included: Jokes, Puzzles, Inspirational Quotes, Future Technology to Be Excited About, How to Fight A Shark, How to Woo A Turtle, Some of the Most Amazing Jobs in the World, Facts About Castles, Do Aliens Exist?, The Kindest Humans, A List of Cakes, 13 Weird Body Facts, 20 Super Space Facts, Ancient Egyptian Curses, 10 Weird Olympic Games, The Great Emu War of 1932, Quiz: Flags of the World, Legendary Characters from the UK and others.
My Royal Navy Friend is a copy of these emails. In total, there are 52 emails. Dispersed throughout the book are also Royal Navy facts and stories.
This workbook has been designed for anyone that is struggling with alcohol or has struggled with alcohol in the past.
It is written in a Motivational Interviewing style, one of the key therapies used to support people with alcohol issues. It has been designed using a trauma-informed approach and is strength–based.
What you will find in this book is more than just worksheets about alcohol. You’ll find all the tools someone needs to get into recovery from alcohol and stay there. It’s a therapy-based book, not an alcohol-based book.
SpellCast is a comprehensive compendium of spells, oils, charms and talismans. It is purely a book about magic, folk magic for the 21st century. The spells are ones that are tried and tested, with some that will stand the test of time.
In SpellCast you will read about the power of Instant Magic, of Banishment & Bindings, Blessings, Cleansing, Communication, Death, Employment, Finance & Money, Fertility, Friendship, Happiness & Joy, Health, Love & Relationships, Luck Magic, Protection, Transformative Magic and WishCraft.
This book will change your life. Your life will be abundant in all meanings of the word.
This book contains everything that you need to know about mental health and mental illness. Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
Mental Health Wisdom contains everything that you need to know about mental health and mental illness.
Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
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Hi Sofia, Thanks for the comment. I bought that in Glastonbury and he was a real find. I bought him…
Hi! I know this was posted ages ago and so a response may be rare but my dad has been…
Hi Ruth, Thanks for the comment. He might well have been. A x
Hi! Watching video and interviews with Charlie Watt, it had me wondering if he might have had Aspergers/ been on…
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A great introductory article on candle magic :)
Hi Sofia, Thanks for the comment. I bought that in Glastonbury and he was a real find. I bought him…
Hi! I know this was posted ages ago and so a response may be rare but my dad has been…
Hi Ruth, Thanks for the comment. He might well have been. A x
Hi! Watching video and interviews with Charlie Watt, it had me wondering if he might have had Aspergers/ been on…