There are some things I’ve never even dreamed I’d do. One of those is editing someone else’s work. But a friend recently asked me to help him edit his book of eclectic poetry for publish and I found myself confidently saying yes.
The definition of editing is:
[to] prepare (written material) for publication by correcting, condensing, or otherwise modifying it.
Dictionary via Google UK, 05/04/2024.
So I guess as well as being a Writer, Author & Blogger I’m also an Editor now.
This is the third and final part in a blog post series, where I’ll be sharing some of what I’ve learned about creative writing over the last few years. The first blog post in the series was Creative Writing: Beginning and the second blog post in the series was Creative Writing: Middle.
1. Carry a Notebook for Ideas
Ideas often come at the strangest of times and in the strangest of places. I’ve had ideas come to me in the bath and had to jump out, dripping wet, to write them down. So be prepared. Carry a notebook with you everywhere that you go. Keep one on your bedside table. Any ideas you get, good, bad or neither, just write them down. It might be a plot, or a character, or a location. The idea might not be fully formed. It doesn’t matter. Just write it down.
2. NEVER Delete Anything
Never delete anything that you write. Save everything. One day, you might want to go back to it. Even if you don’t continue where you left off, but instead start the creative work again with a completely different angle. You’re going to need the original beginnings.
3. Editing Checklist
Most writers spend more time editing than they do writing. It is advisable to click Save As… and save another version of your work with every edit, so that if you want to go back you can. Here’s my editing checklist:
First Read Aloud. Any sentences that you struggle to read or make sense of usually need further work.
Check for appropriate use of capitalisation, commas, semicolons, full stops and speech marks.
Check for typos.
Grammar and Spelling Check.
Cut Overwriting & Repetitions.
Re-write sentences that don’t make sense or are unclear.
Second Read Aloud. Any sentences that you struggle to read or make sense of usually need further work.
Consistency Checks: Tense, Perspective, Description, Characters and Plot.
Consider plot and pacing. Are there any plot holes? Is the pacing of scenes, chapters or even the whole work to slow, to fast or about right?
Third Read Aloud. Any sentences that you struggle to read or make sense of usually need further work.
Put the work away for a few weeks, then go back to it and start the editing checklist again. A break from a creative project gives you distance and allows you to spot mistakes or problems that you didn’t see in the original writing or editing stages because you were to close to the work.
4. Reader Feedback
Reader feedback is great. But you have to be open to any constructive criticism about your creative work. If you ask friends or family to read your work, ensure that you have a relationship with them that allows complete honesty. Ensure that this honesty doesn’t damage your relationship. I read a good friend’s creative work on a regular basis, as he does mine, and we are completely honest in our feedback. We can do this because we both know that the feedback we give and receive is given with kindness, and is aimed at helping one another to create the best work that we can.
You should always appreciate and appraise reader feedback from any source. Appreciate that someone has taken the time to read your work and give feedback. People who give feedback are often working on their own creative projects. They have taken time out of their creative work to give you feedback on yours.
You don’t need to agree on all the points that they raise, or change everything that they suggest needs changing. You are the creator of your own work, so use your own judgement. But consider the feedback, especially if you are getting the same feedback from several different sources.
Some Writers come together in local Writers groups to get feedback on their creative work. These days there are probably some Writers groups online. Some Writers find these groups useful, others don’t. The best way to see if this works for you is to give it a try.
5. Publishing Options
You can send your work to agents and publishers. To the larger presses or smaller independent ones. You can self-publish on Amazon and even get your self-published printed on demand (POD). I don’t have loads of knowledge about publishing or the experience to advise. All I would say is people with little or no experience manage to get their work published all the time.
6. Promoting Your Work
Some great ways to promote your work include:
Get a good book cover designed. Book covers are the first thing people see about your work. A good book cover design can make the difference between people buying your creative work or not.
If you’re writing the blurb on the back cover, make sure it is written in a way that sells your creative work.
Use social media. Facebook, Twitter, goodreads and Instagram as a minimum.
Approach appropriate bloggers, vbloggers and ask them to read & review your creative work.
Send copies of your work to appropriate News Paper Entertainment Columnist, Magazine Writers, other Authors, etc. requesting they read & review your work.
Attend literacy events and be involved with the literacy community (both locally and online).
Do interviews with anyone that is willing to interview you.
Try and be in the Media: TV, Radio, News Papers & Magazines. Even if it isn’t directly about your creative work, you’d be surprised how many people will see, hear or read what you say/write and go on to seek out your creative works.
Do readings.
Contact local libraries, book stores, etc and arrange signings and/or readings.
Encourage people to write Amazon Reviews.
Have a book Giveaway – people love the opportunity to win something.
Hire a Marketing Company, there are many out there that specialise in the PR and marketing of books.
7. Some Great Books About Creative Writing & Publishing
This is the second part in a blog post series, where I’ll be sharing some of what I’ve learned about creative writing over the last few years. The first blog post in the series was Creative Writing: Beginning.
1. Remember Your Aim
You should be writing something that entertains and is enjoyable to you and others. That’s all your creative work needs to do. It doesn’t need to be a work of literacy genius.
2. Your Writers Voice
Your writers voice is part of the art of creative writing. It will be influenced by Perspective, which I have wrote about here. It may change dramatically in different works.
Some writers try to emulate the voice of writers that they admire. This can be an interesting exercise and way to explore how those writers show their distinctive voice. To get the most out of this exercise, rather than passively read, you need to analyse how they crafted their voice.
Author Elizabeth Gilbert whom has written of many books, developed her writers voice by writing each of her books to friend or family member. Her writers voice in Big Magic, a book about living creatively, is warm, caring, passionate, engaging and captivating throughout.
Your unique writers voice will generally develop over time, with regular writing practice. The key point here is: practice.
3. Keep Going
Don’t let fear hold you back from starting, continuing or finishing a piece of creative writing. Even if, as your writing, you think it’s the worst thing ever written, keep going.
As author Anne Rice says in this video, ‘Just kick out the pages:’
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So keep writing, everyday if possible. Don’t be hard on yourself if you can’t manage everyday. Just write when you can. Whatever time you are managing to write, it’s better than not writing at all. Remember that if you keep going, eventually you’re going to finish. You’ll be bringing a new story into the world, which is wonderful.
4. Dialogue
Some rules generally apply:
Less is more.
Most people don’t talk to themselves. So don’t have characters do it.
It should be a conversation, not a monologue or full of large longwinded statements.
Don’t have a character explain to another character what happened in the last scene you wrote. It feels repetitive and tedious to the reader. One character can summarise to another character if absolutely necessary. But if the other character needs to know the details, then maybe he/she should have been in the last scene as a witness to events.
Only on rare occasions should you cut the end of dialogue, like this: –. If you do it all the time, the dialogue isn’t moving the story along and the reader will get frustrated that no character ever finishes a sentence. Plus regularly cutting the end of sentences will lose its value and significance.
Dialogue tags such as he said and she replied are useful to identify who is talking and how they are saying what they are saying. But the overall tone of the conversation should be clear from the words in the dialogue.
To improve your dialogue listen to the conversations of strangers in every public place that you visit. The dialogue you write should sound like that. It should have hooks. During the editing process, which I will write about in the next blog post in the series, it is useful to read it aloud to yourself or someone else.
5. Tense
Generally past or present tense is used. Future tense is rarely used. Once you’ve decided which tense to use, be consistent and use it throughout your creative work. Here’s an article that explains tense simply: Creative Writing – Tense.
6. Description
General fiction set in the real world needs less description than creative works set in other worlds. If your creative work is set in the past, future or another world consider: societal structures, culture, religion/belief systems, etc. Only tell the reader what they need to know.
Avoid writing cliché opportunities to describe a character or settings. One such example of a cliché opportunity is the main character standing in front of a mirror observing and describing themselves to the reader. It’s been done so many times, that it has become a cliché.
A good tip, when it comes to description is to make references. So for example, rather than writing: Jean drove off in her red car. Write: Jean drove off in her red Nissan Micra. Be aware that over time these descriptive references might date your creative work. Some descriptive references are so embedded into society that they could never date your creative work.
In my short story A Few Amazing Moments I deliberately used descriptive references to set the time in recent history that the various scenes were set in.
Perspective alters how you describe things. You can read more about perspective here. Pacing alters the amount of description a scene has. You can read more about pacing here. But the rule is: in slower scenes more description is allowed. In action or fast-paced scenes there should be less description. To much description or to little can significantly impact on your overall pacing.
7. Back-up Your Creative Work – Regularly
We’ve all heard nightmare stories about writers whom have lots their entire work because of a computer crash or computer dying on them. They either didn’t hit the save button or didn’t back-up their computer or both. I’ve lost large chunks of scenes in the past because I didn’t hit the save button often enought. I’ve also lost entire creative projects because a computer decided to die on me. So here’s the advice:
Hit the save button at the end of every paragraph.
This advice comes from Author Elizabeth Gilbert. In her book Big Magic, which have reviewed here, she writes about the danger of perfectionism.
If you aim for your creative work to be perfect you will drive yourself insane. No matter how much time, energy, effort and work you put into a creative work it will never be perfect. So rather than striving for perfection, aim for completing your creative work to the best of your current ability.
So many creative people, leave work in their desk draws, unfinished, because they don’t feel it’s good enough. Because they are aiming for perfection. Just take a second to imagine the number of superb stories that never see the light of day, let alone get read, because the writer is aiming for perfection.
9. First Draft
Congratulations on completion of the first draft of your creative work. But for a good writer, it’s not even half finished yet. The manuscript now needs to be edited, which may include some re-writing.
In my next blog post of the series, I’ll be writing about editing (including an editing checklist), feedback and publishing options.
In this three part blog post series, I’ll be sharing some of what I’ve learned about creative writing over the last few years.
I want to start this blog post with a short video, which is just over a minute long. In this video Stephen King describes a magic moment after reading a book where you think to yourself: This really sucks. I can do better than this. This magic moment is usually the trigger for someone starting to write creatively. But what drives a Writer is a need or deep desire to tell a story.
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1. The Idea
The idea should be imaginative and well thought out. No idea is orignal, everything has been done. But what makes new literature unique, is the Writer’s showing and telling of the story. The unique voice of the Writer.
2. Scope & Size
Consider the scope and size of the story before you begin. According to Wikipedia here are approximate recommended word counts for different types of creative writing projects:
Short story – under 7,500 words
Novelette – 7,500 to 17,500 words
Novella – 17,500 to 40,000 words
Novel – over 40,000 words
(From: Wikipedia, Last Accessed: 11/02/2016)
I would add in word counts for the following:
Blog Posts – Up to 1,500 words
Flash Fiction – 200-300 words
Poems – Unknown, but generally quite short.
Music Lyrics – Unknown.
If journalism is your thing, online magazine The Gay UK has submission guidelines for word counts. They are as follows and likely to be inline with industry standards:
Reviews: 300 – 500 words
Interviews: 1000 – 2500 words
Columns: 400 – 1000 words
News item: 500 – 900 words
Top List: 300 – 500 words
These word counts are not set in stone, you are allowed to be a little under or be a little over. But if you are hundreds, or even thousands of words over, then the scope of your idea is either too big or you are likely to have overwritten and will need to cut in the editing. Editing will be discussed in detail in the next blog post of the series.
If you are planning to submit a piece of creative writing somewhere, ensure you know the word count limits before you start and adhere to the word count. It is unlikely that the person or people reading submissions will read a piece of work over their stated word count. No matter how good it is.
Next let’s discuss essential elements of any story.
3. Characters
Characters should be:
Believable.
Interesting.
Flawed.
Have room for growth and grow throughout the story, or the part of the story that they are in.
Be three dimensional and as complex as any person that you know.
Characters don’t have to be likeable or liked by the reader. In books that I’ve read, some of my favourite characters are bastards. If people read your work and care for your characters, you’re doing well. If readers are disinterested, don’t care, are irritated or frustrated by your characters, then you have some more character development work to do.
4. Storyline / Plot
Every story should have a Beginning, Middle and End. There needs to be conflict and resolution. Plot should be captivating. It should not have long periods where nothing happens. Be aware of genre conventions. It’s okay to make the reader work for the story, but don’t make them have to work too hard. Bare in mind The Seven Basic Plots:
5. Research
If your story is set in the past, another country, or has a character with specialist knowledge you as the Writer need to do the research. You need to make yourself an expert in subject matters related to your story. Although you need to be an expert, you don’t need to show or tell the reader everything that you know.
6. Perspective
The choice of perspective is really important when writing any story. You can show and tell the story from character’s perspective, omniscient perspective or from several perspectives. A good article on perspectives is available here: The Writers Craft – Point of View in Literature.
7. Pacing
Pacing is bit of an art. Elongated sentences with detailed description helps to slow down a scene. Whereas, short. Sharp. Snappy sentences speed up scenes. Short sentences are ideal for action scenes.
8. Other Tips
You should write lots. Every day if possible. Writing, like anything, people get better at the more they practice it.
Get the show and tell balance right. Generally show more than you tell.
Your story should have hooks, things that grab the readers attention and encourage your reader to read on.
As a Writer you should read lots. Especially in the genre you wish to write in. If you’re unsure what genre you want to write in or type of story you want to write, read a variety. But don’t just passively read. Study the things you read. Look at the elements mentioned above, along with what you liked and disliked about the work. Try to understand:
What did the Writer do? Did they do it well or not?
Where in the piece of work did the Writer do what they did?
Why the Writer might have done what they did?
How did the Writer do what they did?
In the next blog post of the series, I’ll be writing about keeping going, the development of the Writer’s voice and the importance of backing-up your work.
Want to share your thoughts on writing? Leave a comment below.
Are you a Doctor, Nurse, Healthcare Assistant or Other Healthcare Professional? Or a Student?
Ways The Human Body Can Go Wrong covers every system of the body, what can go wrong when the body malfunctions or fails, symptoms (including why these happen) and cures/treatments available.
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It is written in plain English, but highlights important medical terminology. It has been written at a level where someone from a non-medical background can pick it up and learn, but that it is still valuable to those with significant Clinical Experience.
My dear friend Roy decided to follow in his family’s footsteps and enlist in the Royal Navy.
I wanted to maintain our friendship, to continue to support Roy, to make him laugh and to entertain him. So I came up with the idea of sending him a weekly email on random topics.
These emails were on a variety of topics, always being entertaining, sometimes being interesting, sometimes funny and occasionally being serious.
Topics included: Jokes, Puzzles, Inspirational Quotes, Future Technology to Be Excited About, How to Fight A Shark, How to Woo A Turtle, Some of the Most Amazing Jobs in the World, Facts About Castles, Do Aliens Exist?, The Kindest Humans, A List of Cakes, 13 Weird Body Facts, 20 Super Space Facts, Ancient Egyptian Curses, 10 Weird Olympic Games, The Great Emu War of 1932, Quiz: Flags of the World, Legendary Characters from the UK and others.
My Royal Navy Friend is a copy of these emails. In total, there are 52 emails. Dispersed throughout the book are also Royal Navy facts and stories.
This workbook has been designed for anyone that is struggling with alcohol or has struggled with alcohol in the past.
It is written in a Motivational Interviewing style, one of the key therapies used to support people with alcohol issues. It has been designed using a trauma-informed approach and is strength–based.
What you will find in this book is more than just worksheets about alcohol. You’ll find all the tools someone needs to get into recovery from alcohol and stay there. It’s a therapy-based book, not an alcohol-based book.
SpellCast is a comprehensive compendium of spells, oils, charms and talismans. It is purely a book about magic, folk magic for the 21st century. The spells are ones that are tried and tested, with some that will stand the test of time.
In SpellCast you will read about the power of Instant Magic, of Banishment & Bindings, Blessings, Cleansing, Communication, Death, Employment, Finance & Money, Fertility, Friendship, Happiness & Joy, Health, Love & Relationships, Luck Magic, Protection, Transformative Magic and WishCraft.
This book will change your life. Your life will be abundant in all meanings of the word.
This book contains everything that you need to know about mental health and mental illness. Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
Mental Health Wisdom contains everything that you need to know about mental health and mental illness.
Mental Health Wisdom is divided into three sections.
Understanding is section one and is all about the facts of mental health.
In section two, Empathy Through Lived Experience, the author shares his personal experience of mental illness.
Life Hacks is section three. It’s all about self-care and quick and easy ways to improve your mental health, prevent mental illness or relapse of mental illness.
If you find my blog educational or entertaining, please consider making a purchase or donation on Ko-Fi.
Hi Sofia, Thanks for the comment. I bought that in Glastonbury and he was a real find. I bought him…
Hi! I know this was posted ages ago and so a response may be rare but my dad has been…
Hi Ruth, Thanks for the comment. He might well have been. A x
Hi! Watching video and interviews with Charlie Watt, it had me wondering if he might have had Aspergers/ been on…
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A great introductory article on candle magic :)
Hi Sofia, Thanks for the comment. I bought that in Glastonbury and he was a real find. I bought him…
Hi! I know this was posted ages ago and so a response may be rare but my dad has been…
Hi Ruth, Thanks for the comment. He might well have been. A x
Hi! Watching video and interviews with Charlie Watt, it had me wondering if he might have had Aspergers/ been on…