The Stand was originally published in 1979. I’m reviewing an extended version with approximately four hundred additional pages. The original was cut by four hundred pages to save on printing costs.
The Stand starts with an infected Solider escaping a chemical lab in a military base. He’s infected with Project Blue, a pathogen which has a 99.4% kill rate and that spreads alarmingly quick through the US and rest of the world.
King starts to introduce characters as the world disaster plot begins. With just a few sentences, King gives each character a believable backstory and makes them feel completely real.
We watch each of these characters deal with the loss of their loved ones, seek out other survivors, attempt to make connections with them and adapt to this new world.
It’s then that the dreams start. A dream about a Dark Man that strikes fear into the heart. A dream about a kind old woman named Mother Abagail.
The different characters have now mostly come together and formed groups. They start their journeys towards the Dark Man or away from him – travelling in the direction of Mother Abagail.
Mother Abagail’s group set up Free Zone in Boulder, Colorado. It’s a democratic community, that grows day by day.
The Dark Man (known as Randall Flagg)’s group set up in Las Vegas. His community is a dictatorship, with severe punishments for minor rule violations. It grows day by day, but not as quickly the Free Zone. The Dark Man is intent on waging war on the Free Zone.
The first two thirds of The Stand are beyond brilliant. The plot is fast-paced and the characters are captivating. But the last third of The Stand felt like King didn’t know where the plot was going. The ending did satisfy somewhat, but had a tinge of disappointment as only two of the numerous main characters had a good conclusion.
The Stand is a large book, totalling 1,325 pages. I read it in about three weeks – which isn’t bad considering my other commitments. There were many times when I simply couldn’t stop reading The Stand.
There were two minor aesthetic annoyances with my copy of The Stand. Firstly, the cover has started peeling. Anyone who knows me, knows I look after my books. So I can only put this down to the cheap production. Secondly, the black and white illustrations randomly dotted throughout book were pointless and of a poor quality.
The Stand is an enjoyable read. It’s a great book that will entertain the reader. It will absorb the reader into an apocalyptic world where good and evil are engaged in their a final battle. The Stand is available to buy on Amazon and at all good bookshops.
In The Graveyard Book, Nobody Owens (also known as Bod) is saved from murder by Ghosts. As a toddler, Bod, crawls out of his cot and walks up the hill to The Graveyard in the dead of night. Meanwhile his family are being murdered in their sleep by a man named Jack.
Jack tracks Bod up to The Graveyard. The ghosts save Bod’s life after Mrs Owens makes a promise to the Spector that is Bod’s mother. The ghosts agree to raise Bod and grant him the Freedom of The Graveyard.
Bod is to be raised by ghost surrogate parents Mr & Mrs Owens, with Silas who belongs to neither the world of the living or the world of the dead acting as Bod’s Guardian.
This is the start of a truly remarkable adventure story. Bod is taken through a gravestone that leads to a desert and city of the ghouls, he develops a friendship with a dead Witch and a living girl, he is taught how to fade, he goes to an ordinary school and uses
fear and dreamwalking to deal with bullies, he learns the ways of The Sleer and finally learns the truth of why his living family was murdered, why the man Jack is still after him and has to fight off The Jack’s order.
The Graveyard Book is the most wonderfully imaginative story that I’ve read in a long time. As the plot unravels the reader is captivated throughout and ponders on the mystery of why the man Jack murdered Bod’s family and why he continues to search for Bod to finish the job of wiping out his family.
The characters are superbly surrounded in mystery with hidden talents that make each character brilliant.
The Graveyard Book has made it on to my top shelf – where I keep my favourite books and there is no doubt in my mind that it is a book I will read again and again. It was a book that I honestly didn’t want to ever end.
At the end of the book, in an acknowledgments section Gaiman writes that this book was inspired by Rudyard Kipling’s The Jungle Book, that Gaiman read as a child, and also inspired by his own children at a certain age. This inspiration shines through as I found myself thinking that The Graveyard Book reminded me of the story of The Jungle Book, way before getting to the end acknowledgements section.
I would highly recommend that anyone and everyone reads The Graveyard Book, which is available to buy on Amazon and at all good book shops.
This is the second part in a blog post series, where I’ll be sharing some of what I’ve learned about creative writing over the last few years. The first blog post in the series was Creative Writing: Beginning.
1. Remember Your Aim
You should be writing something that entertains and is enjoyable to you and others. That’s all your creative work needs to do. It doesn’t need to be a work of literacy genius.
2. Your Writers Voice
Your writers voice is part of the art of creative writing. It will be influenced by Perspective, which I have wrote about here. It may change dramatically in different works.
Some writers try to emulate the voice of writers that they admire. This can be an interesting exercise and way to explore how those writers show their distinctive voice. To get the most out of this exercise, rather than passively read, you need to analyse how they crafted their voice.
Author Elizabeth Gilbert whom has written of many books, developed her writers voice by writing each of her books to friend or family member. Her writers voice in Big Magic, a book about living creatively, is warm, caring, passionate, engaging and captivating throughout.
Your unique writers voice will generally develop over time, with regular writing practice. The key point here is: practice.
3. Keep Going
Don’t let fear hold you back from starting, continuing or finishing a piece of creative writing. Even if, as your writing, you think it’s the worst thing ever written, keep going.
As author Anne Rice says in this video, ‘Just kick out the pages:’
So keep writing, everyday if possible. Don’t be hard on yourself if you can’t manage everyday. Just write when you can. Whatever time you are managing to write, it’s better than not writing at all. Remember that if you keep going, eventually you’re going to finish. You’ll be bringing a new story into the world, which is wonderful.
4. Dialogue
Some rules generally apply:
Less is more.
Most people don’t talk to themselves. So don’t have characters do it.
It should be a conversation, not a monologue or full of large longwinded statements.
Don’t have a character explain to another character what happened in the last scene you wrote. It feels repetitive and tedious to the reader. One character can summarise to another character if absolutely necessary. But if the other character needs to know the details, then maybe he/she should have been in the last scene as a witness to events.
Only on rare occasions should you cut the end of dialogue, like this: –. If you do it all the time, the dialogue isn’t moving the story along and the reader will get frustrated that no character ever finishes a sentence. Plus regularly cutting the end of sentences will lose its value and significance.
Dialogue tags such as he said and she replied are useful to identify who is talking and how they are saying what they are saying. But the overall tone of the conversation should be clear from the words in the dialogue.
To improve your dialogue listen to the conversations of strangers in every public place that you visit. The dialogue you write should sound like that. It should have hooks. During the editing process, which I will write about in the next blog post in the series, it is useful to read it aloud to yourself or someone else.
5. Tense
Generally past or present tense is used. Future tense is rarely used. Once you’ve decided which tense to use, be consistent and use it throughout your creative work. Here’s an article that explains tense simply: Creative Writing – Tense.
6. Description
General fiction set in the real world needs less description than creative works set in other worlds. If your creative work is set in the past, future or another world consider: societal structures, culture, religion/belief systems, etc. Only tell the reader what they need to know.
Avoid writing cliché opportunities to describe a character or settings. One such example of a cliché opportunity is the main character standing in front of a mirror observing and describing themselves to the reader. It’s been done so many times, that it has become a cliché.
A good tip, when it comes to description is to make references. So for example, rather than writing: Jean drove off in her red car. Write: Jean drove off in her red Nissan Micra. Be aware that over time these descriptive references might date your creative work. Some descriptive references are so embedded into society that they could never date your creative work.
In my short story A Few Amazing Moments I deliberately used descriptive references to set the time in recent history that the various scenes were set in.
Perspective alters how you describe things. You can read more about perspective here. Pacing alters the amount of description a scene has. You can read more about pacing here. But the rule is: in slower scenes more description is allowed. In action or fast-paced scenes there should be less description. To much description or to little can significantly impact on your overall pacing.
7. Back-up Your Creative Work – Regularly
We’ve all heard nightmare stories about writers whom have lots their entire work because of a computer crash or computer dying on them. They either didn’t hit the save button or didn’t back-up their computer or both. I’ve lost large chunks of scenes in the past because I didn’t hit the save button often enought. I’ve also lost entire creative projects because a computer decided to die on me. So here’s the advice:
Hit the save button at the end of every paragraph.
This advice comes from Author Elizabeth Gilbert. In her book Big Magic, which have reviewed here, she writes about the danger of perfectionism.
If you aim for your creative work to be perfect you will drive yourself insane. No matter how much time, energy, effort and work you put into a creative work it will never be perfect. So rather than striving for perfection, aim for completing your creative work to the best of your current ability.
So many creative people, leave work in their desk draws, unfinished, because they don’t feel it’s good enough. Because they are aiming for perfection. Just take a second to imagine the number of superb stories that never see the light of day, let alone get read, because the writer is aiming for perfection.
9. First Draft
Congratulations on completion of the first draft of your creative work. But for a good writer, it’s not even half finished yet. The manuscript now needs to be edited, which may include some re-writing.
In my next blog post of the series, I’ll be writing about editing (including an editing checklist), feedback and publishing options.
I first discovered the amazing Writer Elizabeth Gilbert when she did a TED talk on creativity (see this TED talk at the end of this post).
Gilbert became a huge success back in 2006, when her memoir Eat, Pray, Love became an international bestseller. It was later made into a film. Prior to this Gilbert had always felt that it was her responsibility to take care of her creativity, so wrote while holding down other jobs. This big success meant she could afford to write full-time. I intend to read and review Eat, Pray, Love at some point in the future.
Gilbert was inspired by creativity, the creative process and the concept of creative living. She began to explore how other cultures throughout history had viewed creativity and the artists that create. This lead her to study the ancient Romans and Greeks. Which in turn led to her quirky and unconventional views about creative living, which she explores in Big Magic – Creative Living Beyond Fear.
is split into six parts: Courage, Enchantment, Permission, Persistence, Trust & Divinity. Each section deserves to be written about individually, which is what I have done below:
Courage
Gilbert starts by defining what creative living means to her. She describes it as having the courage to follow your aspirations, longings and talents. Gilbert writes about desires, that you are driven to do from somewhere deep within. Things or activities that have great meaning to you. Gilbert’s examples include: writing, dancing, painting and basically anything with any sort of activity that has an element of creativity within it.
Gilbert writes about fear. She recognises that fear can and does stop some people from living creatively. But as she explains, fear is boring – as fear’s inner voice repeats the same things. Whereas living creatively is never boring. Gilbert advises the reader that fear is not to be conquered, but acknowledged and thanked for its concern. Then the reader should do the thing that scares them anyway.
Gilbert’s key message in this section is that the reader should follow their curiosity without being inhibited by their fear.
Enchantment
Gilbert believes that ideas are disembodied energy that wants to manifest. But in order to do that they need to work with willing, creative humans. Humans that will commit their time and energy to bringing the idea into reality.
A good lesson learned from Gilbert in this section is that you have to make space for the idea. Both physically and figuratively. Which is why in my workspace, my desk has been cleared, ideas have been listed on the wall (in the order that they will be completed) and that time is regularly set aside to work on the idea at the front of the queue.
Gilbert writes that if the reader commits to an idea, that they should try to keep their end of the bargain. Otherwise the neglected idea will eventually get fed up of excuses, waiting and will continue on its travels looking for another human collaborative partner.
Gilbert gives an example from her own life, writing about an idea for a book that got away from her and found its way to Ann Pattchett (another author who has an especially special place in my heart for writing The Magician’s Assistant, but I digress). Gilbert tells the story of a conversation she had with Pattchett:
I tried to summarize my ex-novel as concisely as possible. I said, “It was about this middle-aged spinster from Minnesota who’s been quietly in love with her married boss for many years. He gets involved in a harebrained business scheme down in the Amazon jungle. A bunch of money and a person go missing, and my character gets sent down there to solve things, at which point her quiet life is turned into chaos. Also, it’s a love story.”
Ann stared at me from across the table for a long minute.
Before I continue, I must give you to understand that – decidedly unlike myself – Ann Patchett is a true lady. She has exquisite manners. There is nothing vulgar or coarse about her, which made it even more shocking when she finally spoke:
“You have got to be fucking kidding me.”
“Why? I asked. “what’s your novel about?”
She replied, “It’s about a spinster from Minnesota who’s been quietly in love with her married boss for many years. He gets involved in a harebrained business scheme down in the Amazon jungle. A bunch of money and a person go missing, and my character is sent down there to solve things. At which point her quiet life is completely turned into chaos. Also, it’s a love story.”
Gilbert explains that she never felt the need to be given permission to begin writing; but that some people do feel the need for permission to create. So she advises the reader to give themselves permission to start living creatively. She advises the reader to label themselves, i.e. I am a Writer. Gilbert advises the reader to be authentic and live creatively, first and foremost for themselves.
Gilbert advises the reader to avoid getting into debt. According to Gilbert debt leads to trappings that will greatly influence the ability to live creatively. Being debt free is likely something that most readers will need to work on.
Persistence
Gilbert encourages readers to keep going and don’t be disheartened if the first thing created gets no recognition. Take your time. Learn your craft. She reminds readers that people go to great lengths to create, often maintaining a day job, having busy lives, but always making the time for creativity.
Gilbert motivates her readers to protect the space and time to create from intrusions, distractions and most of all procrastination. Procrastination can be fear’s way of avoiding starting, continuing or finishing a creative project. So watch out – because fear can be sneaky in its tactics.
Gilbert advises of the perfectionism pitfall for creatives. She writes that done is better than good. Yes, by all means work hard to make sure the work is good, but good enough will do. Aiming for perfection is where most people set themselves up to fail, because perfection is an unrealistic goal that either drives a person insane or causes them to give up on an idea.
Trust
Gilbert writes that a creative should go where the idea takes them, even if it’s emotionally uncomfortable. Gilbert states that you should trust in the idea and continue with Stubborn Gladness.
For Gilbert, living creatively is all about following where curiosity takes her. She encourages the reader to follow their own curiosity.
Divinity
Gilbert concludes by writing that creativity is scared and that the reader should start creative living immediately.
Throughout Big Magic Gilbert’s writers voice is warm and engaging. Gilbert tells many wonderful, meaningful and great little stories as examples of her ideas on creativity in action. She tells these stories exceptionally well.
Stories are not the most scientific form of evidence. But does there need to be empirical evidence for creativity and the creative process? After all, even those at the heart of creative processes struggle understand or explain how their creative process works.
What matters in Big Magic, is that Gilbert writes her truth. Every word is written for herself – so that she can further her study of creativity.
The audience for this book is anyone that wants to live a creative and fulfilled life. Gilbert is undoubtably clever, wise and inspiring in Big Magic. The reader will find that some, most or all of Gilbert’s work will resonate with themselves.
So go and buy Big Magic to lap up some creative living inspiration. Big Magic is available to buy on Amazon.
Review soon,
Antony
TED Talk – Your Elusive Creative Genius by Elizabeth Gilbert
Elizabeth Gilbert muses on the impossible things we expect from artists and geniuses — and shares the radical idea that, instead of the rare person “being” a genius, all of us “have” a genius. It’s a funny, personal and surprisingly moving talk.
(From: TED, Last Accessed: Thursday 3rd December 2015.)
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Sunday 20 December 2015
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Antony Simpson - Author, Blogger, Nurse & Witch.
Author of eight books.
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